Partituri

Original

Miserere nostri. Thomas Tallis. A cappella. Sacred , Motet. Language. Latin.

Traducere

Miserere nostru. Thomas Tallis. A cappella. Sacru, Motet. Limbă. Latin.

Original

Miserere nostri is an astoundingly ingenious canon. Most obvious is the canon between the two top voices. mentioned at the foot of page 1. , which sing the same line throughout but half a bar apart. Meanwhile, however, a different and less audible canon is in progress between four of the five lower voices. all start singing the same melody at the same time but at four different speeds, two of them in inversion. By bar 6, the Second Bass has already sung the whole of the part assigned to the slowest singer, the First Bass. Amazingly, this fiendish process not only works but produces convincing harmonies which sound as if they are the very raison d’être of this understandably short piece. To enjoy them to the maximum, the music should be taken fairly slowly, so as not to skate over the passing dissonances. from the score of CPDL #6605. Original key. F major. Pitch in 16th century England was likely very high and this key is probably closer to the actual performance pitch. This likely earlier work was probably part of a full setting of the Psalm, but this section is all that remains of this setting. It demonstrates surprising rhythmic complexity. Note values and barring have been adjusted for modern notation. It is particularly important in this antiphon to sing through the barlines, allowing the rhythmic and natural accent of the text to guide phrasing.

Traducere

Miserere Nostri este un canon uimitor de ingenios. Cel mai evident este canonului dintre cele două voci de top. menționat la poalele pagina 1. , Care cântă aceeași linie de-a lungul ci de o jumătate de bar în afară. Intre timp, cu toate acestea, un canon diferit și mai puțin sonoră este în curs între patru din cele cinci voci inferioare. toate începe cântând aceeași melodie, în același timp, dar la patru viteze diferite, două dintre ele în inversiune. Prin bar 6, al doilea Bass a cântat deja întreaga parte alocat cel mai lent cantareata, primul Bass. Uimitor, acest proces diabolic nu numai lucrări produce, dar armonii convingătoare care sunetul ca și în cazul în care sunt foarte rațiunea de a fi a acestei înțeles scurt piesă. Pentru a bucura de ele la maxim, muzica ar trebui luate destul de lent, astfel încât să nu patina peste disonanțele care trec. from the score of CPDL #6605. Cheie originală. F majore. Pitch in 16th century England was likely very high and this key is probably closer to the actual performance pitch. This likely earlier work was probably part of a full setting of the Psalm, but this section is all that remains of this setting. It demonstrates surprising rhythmic complexity. Note values and barring have been adjusted for modern notation. It is particularly important in this antiphon to sing through the barlines, allowing the rhythmic and natural accent of the text to guide phrasing.