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Original

Toccata. Peteris Vasks. Piano sheet music.

Traducere

Toccata. Peteris Vasks. Partituri de pian.

Original

Toccata composed by Peteris Vasks. 1946-. For 2 pianos. This edition. ED 9578. Saddle-stitch. Piano Music. Grade 4. Composed 1977. 23 pages. Duration 5 minutes. Published by Schott Music. SD.49033177. ISBN 9790001134385. The two pianos introduce the bass motif one after another. Every new entry brings an increase in tempo. Only when they play together, though, is the real 'Vivace unleashed. From then on, it is only in the 'largamente' sections and a lyrical middle section. cantabile. that the racing bass figure pauses for a while. The motif weaves its way through the course of the 'Toccata' like a 'perpetuum mobile', bringing ever more complex layering to the structure of the movement. The Latvian composer Peteris Vasks has described himself as a 'musician from the periphery' on account of his geographical and cultural background. His music full of emotional rigour continues to bring him towards the centre of contemporary composition, as is evident in his instrumental chamber works.

Traducere

Toccata composed by Peteris Vasks. 1946 -. Pentru 2 piane. Această ediție. ED 9578. Șa-cusatura. Pian Muzică. De gradul 4. Compus 1977. 23 de pagini. Durata 5 minute. Publicat de Schott Muzica. SD.49033177. ISBN 9790001134385. The two pianos introduce the bass motif one after another. Every new entry brings an increase in tempo. Only when they play together, though, is the real 'Vivace unleashed. From then on, it is only in the 'largamente' sections and a lyrical middle section. Cantabile. that the racing bass figure pauses for a while. The motif weaves its way through the course of the 'Toccata' like a 'perpetuum mobile', bringing ever more complex layering to the structure of the movement. The Latvian composer Peteris Vasks has described himself as a 'musician from the periphery' on account of his geographical and cultural background. His music full of emotional rigour continues to bring him towards the centre of contemporary composition, as is evident in his instrumental chamber works.