Instrumente
Ensembles
Genres
Compozitori
Artiştilor

Partituri $29.95

Original

Dark Matter. Double Bass sheet music. Flute sheet music.

Traducere

Dark Matter. Double Bass partituri. Partituri flaut.

Original

Dark Matter composed by Keiron Anderson. For flute choir. piccolo, 2 flutes, flute or alto flute, bass flute, contrabass flute. Score and Parts. Published by Forton Music. FT.FM380. ISBN 979-0-57048-279-5. Dark Matter - Flute Ensemble. Piccolo, 2 flutes, flute or alto flute, Alto flute, Bass Flute, Contrabass Flute. One of the mysteries of the universe, dark matter is a fascinating concept. To describe it in music I used a combination of minor canons accompanied by a series of contrasting scales which are often octatonic although not exclusively so. This scale some produces surprisingly powerful notes as the shift of a semitone lifts the music through tonal shifts. The central section uses the scale in harmonic progressions that follow a fairly simple melodic idea which takes the listener on a journey into the unknown whilst remaining accessible and memorable. The work leaves the dark matter out there and confirms its existance without making any assumptions or answering any questions. This should be a different voice in a concert, thought provoking and atmospheric without being overly chromatic or challenging.

Traducere

Dark Matter composed by Keiron Anderson. Pentru flaut cor. piccolo, 2 flutes, flute or alto flute, bass flute, contrabass flute. Scor și piese. Publicat de Forton Muzica. FT.FM380. ISBN 979-0-57048-279-5. Dark Matter - Flute Ensemble. Piccolo, 2 flutes, flute or alto flute, Alto flute, Bass Flute, Contrabass Flute. One of the mysteries of the universe, dark matter is a fascinating concept. Pentru a descrie în muzică am folosit o combinație de canoane minore însoțite de o serie de solzi contrastante care sunt de multe ori octatonic deși nu exclusiv așa. This scale some produces surprisingly powerful notes as the shift of a semitone lifts the music through tonal shifts. Secțiunea centrală utilizează scara de la progresii armonice care urmează o idee melodica destul de simplu, care ia ascultatorul intr-o calatorie in necunoscut în timp ce restul de accesibil și de neuitat. Lucrarea lasă materia întunecată acolo și confirmă existenta ei, fără a face orice ipoteze sau a răspunde la orice întrebări. Acest lucru ar trebui să fie o voce diferită într-un concert, considerat provocator și atmosferic, fără a fi prea cromatice sau provocatoare.